"That idea of emotional vulnerability was so profound for boys," Orenstein says. One interviewee confided that he preferred to partner with girls for school projects because, "It was OK to say you didn't know what you were doing with a girl, and you couldn't do that with a guy." Orenstein says the boys she spoke with felt constrained by traditional notions of masculinity. Maybe that's why the young men she spoke to were so eager to open up: "When they had the chance, when somebody really gave it to them and wasn't going to be judgmental about what they had to say, they went for it." Orenstein notes that society doesn't often give boys "permission or space" to discuss their interior lives. "With boys, it felt like they were being cut off from their hearts." 'Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity,' by Peggy Orenstein "When I was doing the girl book, the kind of core issue with girls was that they were being cut off from their bodies and not understanding their bodies' response and their needs and their limits and their desires," she says. Her new book, Boys & Sex, is based on extensive interviews with more than 100 college and college-bound boys and young men of diverse backgrounds between the ages of 16 and 22. But then came the #MeToo movement, and Orenstein, whose previous books include Girls & Sex and Cinderella Ate My Daughter, decided it was time to engage young men in conversations about gender and intimacy. Orenstein spent 25 years chronicling the lives of adolescent and teen girls and never really expected to focus on boys.
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"If we don't talk to our kids, the media is going to educate them for us, and we are not going to love the result."
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xXx sets out to entertain, and that it does.Editor's note: This interview contains a homophobic slur.Īuthor Peggy Orenstein knows that talking to your son about sex isn't easy: "I know for a lot of parents, you would rather poke yourself in the eye with a fork than speak directly to your son about sex-and probably he would rather poke himself in the eye with a fork as well," she says.īut we don't have "the luxury" to continue avoiding this conversation, she says. No one would believe a guy like Xander Cage would be recruited as an undercover agent in any sort of organization, but that's not really the point.
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I think the bottom line is, this movie is so far-fetched and insane that it works as one of the best mindless action adventures of the last decade. Jackson & an equally clichéd turn from Marton Csokas. The supporting characters are fittingly absurd and bizzare, led by a prototypical performance from Samuel L. All are staples of the franchise, and Xander Cage's first film outing is no different. Fast cars, explosions, women in scantily clad attire, incoherent plots, over-the-top villains, and catchy music. Essentially, this is just another Fast & Furious movie. Especially when it contains countless one-liners that do nothing but put a smile on my face from ear to ear.
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Or, at least the dialogue coming out of their mouths is awful.īut does a film like this really need to have great dialogue? I guess not. The humor is there, but in no way do I believe it's intentionally funny. xXx certainly has fun action, but that's about it. Now, the Fast & Furious franchise has figured out the right balance of lighthearted humor, bada** action sequences, and developed characters who we actually care about. What's not to like about it? Heck, even the horribly awful things are entertaining.īack when Vin Diesel decided not to come back to the Fast & Furious franchise, he chose to join F&F 1 director Rob Cohen in taking on another ridiculous action extravaganza, xXx. If any future filmmakers are looking for inspiration in the guilty-pleasure high octane action genre, xXx is exactly the film to look into.